Studio/Recording/Mastering Hardware Effects and Signal Processors

Operational Amplifier (Op-Amp) lets End-User choose Vintage or Modern Tone. CLA-1 is a Single Channel "Platform": offering Ultra-Flexibility. End-User can Choose from Class A/B and Class A Discrete Op-Amps - both Vintage and Modern!!

Designed to accept a guitar or bass direct into it,without any loading on the pickups.The Gain Control is used to normalize the instrument's input level,up to a +4dBu output level.With the use of the unique TONE control,the low end "mud" can be reduced

unique passive, sweepable filter, designed specifically to contour the sound to preserve the natural tone of the signal. Its extreme flexibility, repeatable settings and superb sound make it ideal for all studio, live sound and broadcast applications...

Ideal for all studio, live sound and broadcast applications. Regardless of the threshold or ratio settings, the output level always remains at unity. This unique feature allows for real-time adjustments without the need for changing the output level...

API 235L Noise Gate/Expander has the ability to reduce noise in any type of program. The 235L can open unusually fast, without losing any part of the sound. Its extreme flexibility, repeatable settings, and superb sound make it ideal for all studio, live

Versatile stereo bus compressor that allows adjustment of sonic qualities that can alter the punch and tone of the stereo mix.The 19"rack mountable unit features ATI's patented "thrust" circuit for a chest-hitting,punchy bottom end...

Designed with the professional engineer in mind, giving the highest possible quality audio mixer with a transformer balanced output.It is equally at home in the control room, the studio, and news or recording truck, at the house console, on the stage or..

Six position rack designed to accept all API standard 5.25" X 1.5" modules. This allows an engineer the flexibility to bring along specialized EQ effects to any situation: 550A, 550B or 560. The Lunchbox is self-powered, with a rear panel selected AC...

The API Model 500VPR is powered externally by a tri-polar power supply and is designed to accept API standard format 5.25" X 1.5" modules. The 500VPR is internally wired for PIN 2 hot, and comes with the API L200PS...

Originally released in the 70's, the API 525 is a "feedback" type compressor.An input (threshold) control and output (make-up gain) control are provided, along with an additional "Ceiling" fine-tune function which can increase gain reduction...

This limited edition EQ is a continuation of the equalizers produced by API exactly as they were in the 1960's, featuring hand-wired switches, the original circuit board design and API founder Saul Walker's signature on the chassis...

Designed by the now legendary Saul Walker in the late 60's, the discrete 550A was first used as a modular OEM equalizer. As the industry rapidly embraced the sonic quality of the 550A, it quickly found it's way into many custom console designs by Frank

Incorporating API's exclusive circuitry and proprietary components the 550B artfully blends the past with the present. So many hit records still depend on the unique 550 sound,that the 550B will be an invaluable tool you will turn to again and again...

It delivers that "one-of-a-kind" API sound, precision easy set filtering,and high headroom in a very small package.Extremely fast to set and reset using accurate zero detents,the curve shaping potential of the 560 is unmatched...

Fits into one 19" rack space unit,includes summing amps for the four Echo Sends,four Track Busses and Stereo Mix Bus when linked up with the 7600 Input Module...

8 Channel Line Mixer allows you to mix with genuine API circuitry.It works with the 7600 and 7800 to form a custom sized, easily expandable console configuration...

The 8200A is an eight channel line level mixer with stereo summing.It is a stand alone unit and can be combined with multiple 8200's.The 8200A features a summed,stereo,balanced XLR output using standard API output transformers and genuine API 2520's...

The 8200A is an eight channel line level mixer with stereo summing.It is a stand alone unit and can be combined with multiple 8200's.The 8200A features a summed,stereo,balanced XLR output using standard API output transformers and genuine API 2520\'s

Supplies the power for both the 10 space 500VPR rack, and the 12 space L200R 200 series rack. Capable of powering ten API 500 series modules (or ten VPR-compliant modules), it delivers 1.4 amps of power to symmetrical +/- 16 volt rails...

The L200R is fully compatible with modules used in API's Vision and Legacy Series Consoles, including the 205L Direct Input, the 212L Mic Pre, the 215L HP/LP Sweep Filter, the 225L Compressor and the 235L Noise Gate...

The AD2044 features 100% discrete, pure class A signal amplifier configured with high speed current monitored optical control elements. These "invisible" opto elements enable the AD2044 to deliver totally transparent, low noise gain reduction...

The Avalon Design AD2055 parametric equalizer combines 100% discrete,pure class A signal amplifiers with state-of- the-art passive and active filter topologies.Avalon AD2055's unique circuitry delivers very high resolution transient detail...

Avalon Design mastering equalizer AD2077 is an ultraistic design optimizing absolute signal integrity. Avalon AD2077 equalizer's design features include 100% discrete pure class A signal amplifiers,state-of-the-art passive and active filter topologies...

Avalon Design mastering equalizer AD2077 is an ultraistic design optimizing absolute signal integrity. Avalon AD2077 equalizer's design features include 100% discrete pure class A signal amplifiers,state-of-the-art passive and active filter topologies...

The Avalon VT-737SP features a combination of TUBE preamplifiers, opto-compressor, sweep equalizer, output level and VU metering in a 2U space.

The Avalon VT-747SP combines a creative STEREO tube-discrete Class A spectral-opto-compressor with a musical six band program equalizer, L-R output level and gain reduction metering and internal regulated power supplies in a 2U space.

The GERM Comp starts with the same all class A amp found in the GERM Pre and Tone Control and is transformer balanced in and out. The Compression circuit uses a FET gain reduction element but with the tricks and flexibilty of all the GERM units...

The Tone Control uses active AND passive EQ circuits in combination with the GERMANIUM amplifier developed for the GERMANIUM Pre and incorporates the versatile Feedback and Drive controls as well. All bands use inductors for the fattest smoothest tone pos

Power Supply for Chandler Limited TG, LTD and Germanium Series.

Recreation of several classic circuits and combines a TG2 pre amp section with an equalizer that was redesigned from an equalization circuit used in the TG12410 Transfer or mastering console.The mastering counterpart to the original "Beatles desks".

Chandler Limited Curve Bender TG Equalizer was conceived by Chandler Limited designer Wade Goeke and Abbey Road senior engineer Peter Cobbin and is based on the vintage EMI TG12345 equalizer desk used to record The Beatles and Pink Floyd.

Chandler Limited Zener Limiter was conceived by Chandler Limited designer Wade Goeke and is based on the vintage EMI circuits used to record The Beatles and Pink Floyd.

Chandler Limited compressor TG1 is a recreation of the classic EMI TG12413 Limiter used in custom EMI and Abbey Road recording and mastering consoles from the late 60's.TG equipment was used to record The Beatles "Abbey Road",Pink Floyd,Paul McCartney,

Two-channel ultra clean preamp with Zero Distortion Technology (ZDT).This exacting new standard provides frequency response from 1Hz to 200kHz +0.5dB, an incredible rise time of 0.27 microseconds and distortion of less than 1 part per million (0.0001%).

Eventide effects processor Eclipse is the only effects processor in its class to feature 24-bit digital conversion and 96kHz sampling.Eventide Eclipse with its 100 algorithms and a two effects block design is Ideal for the smaller studios,guitar,bass,keys

Eventide EVE/NET box is a compact,full capability remote unit,which provides total control of the Orville and current Eventide H-Series effects Processors.It allows simultaneous control of up to eight program parameters utilizing innovative rotary encode

Eventide H7600 is the Most Powerful Two-Channel Effects Processor/Harmonizer You Can Buy. The Eventide H7600 effects processor provides 1100 preset-algorithms,174-second sampler,and sorting capabilities for unprecedented stereo effects processing...

Eventide H7600 is the Most Powerful Two-Channel Effects Processor/Harmonizer You Can Buy. The Eventide H7600 effects processor provides 1100 preset-algorithms,174-second sampler,and sorting capabilities for unprecedented stereo effects processing...

Eventide effects processor/harmonizer H8000FW features nearly sixteen hundred post-production and music effects preset-algorithms, never before has Eventide unleashed so much power for your creative endeavors...

Eventide effects processor/harmonizer H8000FW features nearly sixteen hundred post-production and music effects preset-algorithms, never before has Eventide unleashed so much power for your creative endeavors...

Through the decades,top players have depended on Eventide:Jimmy Page,Frank Zappa,Brian May,Eddie Van Halen,Steve Vai,Robert Fripp, John Petrucci,to name a few.For the first time these effects are portable AND affordable.Eventide guitar pedal ModFactor

Through the decades,top players have depended on Eventide:Jimmy Page,Frank Zappa,Brian May,Eddie Van Halen,Steve Vai,Robert Fripp, John Petrucci,to name a few. For the first time these effects are portable AND affordable.Eventide guitar pedal PitchFactor

Eventide Reverb 2016 is built to reverb (Stereo Room, Room Reverb and High Density Plate). Every aspect of the original effects has been duplicated including every detail of the user parameters...

Through the decades,top players have depended on Eventide:Jimmy Page,Frank Zappa,Brian May,Eddie Van Halen,Steve Vai,Robert Fripp, John Petrucci,to name a few.For the first time these effects are portable AND affordable.Eventide guitar pedal Space reverb.

Through the decades,top players have depended on Eventide:Jimmy Page,Frank Zappa,Brian May,Eddie Van Halen,Steve Vai,Robert Fripp, John Petrucci,to name a few.For the first time these effects are portable AND affordable.Eventide guitar pedal TimeFactor

Really nice mono compressor. The PCB-6A is a mono compressor which is described as being pretty agressive. Note that besides the classic Attack, Release and Output knobs, it features an adjustable Knee and a Drive circuit...

The Really Nice Levelling Amplifier (RNLA) is a compressor, of sorts, with a character that works well with vocals, bass guitar, acoustic guitars and two-mix sources. A friend describes the RNLA's tone as "thick and gooey". Some very well-outfitted RNL

The COMP-54 one-channel vintage style compressor.The signal path uses only discrete components.The class-A circuit used in the COMP-54 is similar to the one in the classic 2254 compressor that was designed in 1969. It quickly became a legend...

It features two channels of API's patented award winning compressor circuit in a rack mount unit with internal power supply. This is the same compressor circuit originally designed into all ATI Paragon mixing consoles.Each channel includes the patented..