Lavry Black AD10 (2ch A/D)

• AVAILABILITY/DELIVERY: On Order/Usually 4-6 days after payment

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Ideal for a wide range of recording and broadcast applications, the LavryBlack AD10 builds on founder Dan Lavry's reputation for extreme transparency with a number of innovative new features for highest-quality sound, flexibility and ease of use.

LavryBlack AD10 sees the introduction of Lavry Engineering's unique Digital Alias-Free Emulation™ modes. With this exclusive system, in addition to Clear mode users can select the input characteristic of Tube, Transformer or both (Complex). "The AD10 marks the first time that a Lavry Engineering unit has offered this type of option," explains Dan Lavry, President of Lavry Engineering. "With AD10, very high accuracy and transparency remain the starting point. However, the engineer can also alter the original signal if they choose."

In addition to a myriad of functions, the LavryBlack AD10 is accessible via user-friendly interface controlled by a single toggle switch. This switch utilizes multiple displays for heightened efficiency within the compact ½ RU enclosure.

Features and Highlights of the LavryBlack AD10:

Internal Crystal 44.1, 48, 88.2, & 96 kHz sampling rates
Ultra-stable internal and external clocking
Greater than 117dB Dynamic Range (unweighted), 120dB (weighted)
Less than .0009% THD+N (20HZ-20kHz)
External Word Clock or AES sync for 32-100kHz operation
24 bit AES/SPDIF and optical outputs
XLR professional level analog inputs (+4dBu)
¼" instrument line level analog inputs (-10dBV)
Accepts balanced or unbalanced analog signals
14 segment digital meters w/Peak Hold
Meter displayed gain setting from 0 to 13 dB (1dB steps)

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Specifications

• THD+N at Maximum Gain:  less than .001% FS (Test conditions: 20Hz – 20KHz, -3dBFS sine wave, 22-22KHz BW, 24 Bit, Clock=internal,
• Color=Clean, Bits=24)
• Dynamic Range:  better then 117dB (non-weighted), better then 120dB (A-Weighted)
• Maximum Input level to achieve “0dB Full Scale” digital level (Analog levels + 0.25 dB):
  
  XLR Balanced input:
  With gain set to 0 dB +24dBu
  With gain set to 13 dB +11dBu
  
  XLR Unbalanced input:
  With gain set to 6 dB +18dBu
  With gain set to 13 dB +11dBu
  
  ¼” input Balanced or Unbalanced:
  With gain set to 0 dB +11dBu (+8.8dBV)
  With gain set to 13 dB - 2dBu ( -4.2dBV)

• Input connections:
  
  XLR - Balanced analog: Pin 2 non-inverting, Pin 3 Inverting. Pin 1 shield
  - Unbalanced analog: Pin 2 non-inverting, Pin 3 signal return, Pin 1 shield
  
  ¼” - Balanced analog TRS: Tip non-inverting, Ring inverting, Sleeve shield
  - Unbalanced analog TS: Tip non-inverting, Sleeve signal return and shield
  
  BNC - Termination set to 75 Ohms for Word Clock or AES connections using standard 75 Ohm
  coaxial cable with BNC connectors. Termination can be set by user to 110 Ohms using
  internal jumper U11 for AES signals connected using 110 Ohm cable with a BNC
  adapter.

• Digital Output Connections:
  
  XLR - Connect to AES inputs using standard 110 ohm XLR to XLR cables
  - Connect to coaxial SPDIF inputs using supplied XLR to RCA adapter and user supplied
  75 Ohm RCA to RCA “SPDIF” cable or user supplied adapter cable. 75 Ohm coaxial
  cable length should be kept short if possible- less than 3 meters; 2 meters is better and 1
  meter is best.
  
  Optical - Optical output connects to SPDIF optical inputs using standard Toslink interconnect.

• AC Power: Voltage 90-264 VAC, Frequency 40-63Hz, Current 0.1A Fuse Rating 4A “Fast Blow” *

*Subject to change! Please always check the rating on the fuse and the one printed next to the
fuse holder on the power supply PC board before replacement. Replace the fuse ONLY with a
fuse of the same rating. If you have any questions, contact: techsupport@lavryengineering.com

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